11.3.16

Up 5:30. Weight up from yesterday, probably won't be able to weigh myself for a week.

Called car just after 6 am, at Laguardia about 6:30, met Brandon and Matt. Nothing eventful about the flight - got our gtr and bass on board w/o gate check, did inflight crossword, started Rodney Greenberg, George Gershwin. At Greensboro about 10, got baggage and car, weren't expected at the Fidelitorium until 11, so stopped for donuts, coffee, toiletries; got to studio before noon, met Mitch. Very easygoing - talked about Game Theory for a while later on. Hard to describe the vibe of the studio - photos may be better. Several hrs. on the expected drum set-up/micing, got the bass up quickly. I alternated between hanging out, reading Greenberg, and starting Arlo Quint's book through most of this. Eventually tried my Ibanez through 3 or 4 gtr amps, settled on a Princeton (his first amp, as was mine) for "The Old Currencies." Started trying some takes around 5 pm. Wasn't feeling the headphone mix at first, turning the amp up a bit helped a lot. I think we got a better-than-fair master (1st/2nd half from two separate takes), a couple of punches. Went into town (barely - really just the highway) for dinner break, decent Mexican, and groceries. Came back and tried "Boring Postcards," w/ a Strat through Pro Jr. 4th take pretty solid. I was pretty dead by 10 from getting up so early. We'll start w/ a couple of bass punches tomorrow. We could go back to either of these songs once we're used to playing, but 2 acceptable takes for a 1/2 day is not a bad start.

Retired to the adjoining cabin, read a bit of Quint, started poetry daybook (w/ fewer lines/smaller pages than the last one; also brought some Clark Coolidge, Solution Passage, to get a short-poem vibe). 

11.2.16

Up 8:15. Weight 213.9 [lower after a wk setback]. 

Leaving for NC to record tomorrow. Went to coffee about 10, finished Just About Midnight, read 10 p. or so of Starr on Porgy & Bess. Came home, read a chunk of Gone Girl while Bree was getting ready to go out. Started dealing w/ life at 1. Exercised 10 min. Packed in fits and starts, decided what books to take, took the 9-volts out my gtr pedals for the flight, sent Pete G. lyrics for "Gueshouse," dealt w/ various things in my office, finally posted about the recent 4-track compilation. Tammy Grimes passed away on Oct. 30; I played her 1st album, from 1959, a classic, v. supper club two-piano affair w/ terrific song choices ("Let's Take a Walk Around the Block," some lesser-known Porter, a spooky "Molly Malone") that was one of my entry points into the genre. Finished Starr's Gerswhin book. Useless on jazz, race. Once Bree came home, we called my parents, had dinner and dropped by a grand opening for a flower/gift/coffee bar, almost too elegant for the neighborhood. Local jazz guitarist/stand-up bassist playing "I Can't Get Started." Went to E77 at 9, wrote 300 word proposal (on "Mama Don't Allow") for next year's EMP, about 2 hrs. Finished packing - need to not have to think tomorrow if I'm going to leave for LGA at 6 am - but kept thinking of thinks to take care of (hadn't rented a car for the week). Lights out 1 am.

11.1.16

Up 7:00. Weight 214.

Exercised 10 min. Left between 9:15-9:30 (work on this). Read Starr over breakfast. By 10:30, it didn't seem like the trip to Oracle would be efficient, so I wrote at E77 until about 11. Graf putting aside Rhapsody in Blue, plus a (too?)-technical discussion of "Somebody Loves Me." Picked up another Gershwin bio at library, also checked on Gone Girl, which I'd started reading out of mass-cultural curiosity in a Salvation Army this summer. Came home, finished quota of Starr, dozed to a Dragnet episode for 1/2 hr, started Susie Timmons, Superior Packets. (3 older books in one + new poems; Hog Wild [1979], so far, is comparable to Greenwald's Common Sense - similar hard to place inter-generation of NY School/not yet Language writers.) Packed for rehearsal, got out suitcase. Managed to get off a couple of emails (to Robert Christgau and my godfather) I'd been procrastinating about. Left for downtown 4:40. Listened casually to Benny Moré while reading Hamilton on Motown Beatles' covers and Aretha Franklin/Janis Joplin/Dusty Springfield interrelationships. Managed to drop off my coat for relining this time. Rehearsed 6 to 8:30, w/ Brandon/Mike/Pete; went through songs I want to track as 4-piece ("Cover Your Tracks," "Guesthouse," "Still In Error," possibly "Different City," "Faith & Credit," the one where I'm not pulling my weight), also ran "Enemies of Song." Knocked off early, no need for a forced march. Went to the Strand b/c the new Ashbery is out (I checked). Read a bit more of Timmons on the way home, had a notion for a poem so filled last 2 p. of current daybook, which covers about 5 months of "practice." Home just before 11, ran through some email.

Lou Donaldson, "West Indian Daddy."

October reading

 

Charles O. Hartman, Free Verse: An Essay
David Jasen and Gene Jones, Spreadin' Rhythm AroundBlack Popular Songwriters 1880-1930
Ara Banias, Anybody
Alex Abramovich, Bullies
Joseph Massey, Illocality
Jonathan Lethem, A Gambler's Anatomy
Ben Lerner, 10:04
Sterling A. Brown, Collected Poems
Henry Louis Gates, Jr., The Signifying Monkey
Carolyn Kizer, Knock Upon Silence
Alan Gilbert, The Treatment of Monuments
Percival Everett, Wounded
Clark Coolidge, On Arrows and Other Matters (chapbook; interview w/ Lytle Shaw)
Aaron McCullough, Double Venus

10.31.16

Up 7:00. Weight 214.2

Exercised 10 min. (missed yesterday). Left 8:30, read McCullough at coffee, at Oracle by 9:30. Spent a while looking at and old talk/paper, "Wittgenstein Abuse," b/c a student in Dublin wrote asking about it (I sent it, though it needs work if I ever mean to publish it). Wrote about 11-1:30, longish graf on Eubie Blake and Noble Sissle, 500 words. Kept at Starr when I came home but fell asleep for an hr. Watched the local Halloween parade w/ Bree. Mainly email/tasks after 7: rec'd the songs from Allen's WFMU set from Gaylord, sent "State Trooper" off to the cassette comp (hoping it's in time). Heard from Brian McPherson about licensing the cover songs on Work From Home, started looking into it via the Harry Fox website. Annoyingly, Strayhorn/Ellington's "Strange Feeling" is only 30% through HFA, and the Mekons' "Last Dance" isn't there at all, so it will take further research to track down the publishers if I want to do this correctly. Finished McCullough's Double Venus - the title sequence is very earnest, open-fieldish (a few words printed sideways) w/ an air of pantheism. Oppen a presence; tend to get more out of the separately titled poems ("Resistance in the Materials") than the rest. Tried to update my to-do list. Overwhelmed. Played a little guitar before before bed - thing I worked out the coda to "Enemies of Song." Lights out 12:30.