In and out of bed all night. Got up for good around 7, listened to some of Mal Waldron’s Meditations. Left about 9, went to a breakfast/coffee place in Winston-Salem, only stayed about 30 min. Checked out the other branch of McKay Books, picked up Peter Doggett’s Electric Shock, a Leslie Scalapino collection, and O’Jays and Aretha CDs. Listened to Mary Timony’s Ex Hex (her last solo album before forming the band of same name, very good and ignored at the time) and some of a Latin jazz CD I’d bought from the artists at Le Terraza a while back. Got back around 1, finished lyrics to “Sad and Afraid” (which I’d been thinking about off and on while out), went in to the studio, practiced it while Mitch comped, recorded it in 2 piano/vocal takes around 3 pm. Edited those into an acceptable comp, talked for a while and let him get back to work. Went to dinner at the nearby Mexican place around 7, came back, looked back in at 9, played piano aimlessly for an hr., paid Mitch, made arrangements to pick up the drive tomorrow, went to bed at 10 or 11.
11.21.17
Up 7:30. Mitch is comping vocals, so I’m not needed (even wanted) in the studio for most of the day. Watched part of a YouTube lecture about category theory. Left house before 11, found the only coffee place in the world w/o pastries, stopped in an antique mall I’d noticed – on the trashy/cute side, but picked up a Cab Calloway 78 and two pieces of Floyd Tillman sheet music. Drove to Greensboro, got a few books/records/CDs apiece McKay’s Books and Hippo Records, had a too-heavy bbq lunch, read to 170 in Ellington, found nothing at a Goodwill. Listened to Mingus Epitaph (a live record that maybe isn’t a good entry point) and Secret Ellington (a 2002 disc of some unheard songs from an unfinished 1958 musical – contemporary performances, just ok) while driving around. Back at cabin at 3. Rec’d expenses, called Dad for his birthday. Went down to the stuidio and played the new song I don’t know if I’ll finish. Mitch came in and worked on comping “A Different City,” I hung out for a while. Came back to the cabin around 8, called Bree. Not in the mood to read – listened to last Boris Karloff episode of YMRT, tried to sleep.
11.20.17
Woke up early, put on another mathematics/philosophy lecture (on Carnap) to get back to sleep. Up at 9. Daybook. Went into studio at 11, got a rough mix of “Untimely Beggar” and worked on my Cropper-style (as if) guitar part from 11:30-1:30 while Mitch comped vocals on other songs. Got down to recording it, in several takes and w/ a ton of punches. I think I got it. Dinner break – “Eastern” barbeque and a chicken leg at Prissy Polly’s. Came back and sang “Believe In Ghosts,” which was tricky (changes in register), and “Boring Postcards,” which is straightforward. Comped/edited the clavinet tracks from Joe McGinty’s on “A Different City” – one brilliant moment where two passes turned out to harmonize at a key moment. Replaced three combo organ phrases in bridge of “Believe In Ghosts.” I think that’s the last sound I need to make. Done by 9, usual decompression (one beer + YouTube) in evening. Lights out before midnight.
11.19.17
Usual morning pattern. (Should record that I caught up in the poetry daybook yesterday.) Mitch texted to say he’d be a little late into the studio, so I went down at 11, played a little piano. Thinking about recording a quick piano/vocal song (“Sad and Afraid”) in the last 2 days, if I finish some lyrics. Started around noon, rec’d an acoustic overdub w/ capo on “Boring Postcards,” a “heavy” noise/rock part on the last 2 ch. of “Our Films, Their Films,” and tone-switch feedback on “Any Road Home.” Did vocal takes of “Untimely Beggar” and “Shovel-Ready.” A lot of these songs end big, vocally. Ended early, maybe 5. Called Bree. Put on a CD of Britten’s Illuminations in the rental and drove to Greensboro to meet John Davis, Carl Schlachte, and his wife Jennifer, an American Studies Ph.D. student working on Latinx graphic novels for Chinese food. Stopped by Sheets on the way home b/c I wanted ice cream. Back at cabin around 10. I’ve read maybe another 30 p. of the Ellington bio, but haven’t been keeping a schedule while here. Put on a podcast interview w/ Ray Monk about Wittgenstein and the foundations of mathematics, went to sleep early.
11.18.19
Still getting up too early – about 6. Dithered, read to p. 100 in Ellington book. Went into studio around 11 and started working up “Any Road Home” piano part, playing along w/ rough mix on my phone. Started notating some of it, but quite after I got the feel. Mitch comped vocals until I was ready, around 1. Got the part out of about 4 takes. Then easier stuff: fixed 2 holes in the piano for “Illusions,” redid Hammond on the bridges of “The Old Currencies” (part I did on last visit was way too busy, interfered w/ both the vocal/lyric and the bari guitar line), added a “vibes” sound on the Yamaha combo as a layer in the breakdown to “Faith and Credit,” did the 4 note riff at the end of “A Different City” on Fender + six-string bass for octave/fake 12-string effect). Took break around 6 – thought about going to nearby BBQ, but I’m going out to dinner tomorrow, and I got involved in rating EMP conference proposals, which I have to return a few days after Thanksgiving. Came back, sang about 4 takes each of “Old Currencies” and “Enemies of Song,” + 3 of “Our Films, Their Films.” Quit around 9.